Can Artificial Intelligence Create Art using it's Own creativity?

Suppose AI used its creativity. Where would it get it? If that data is uploaded, is that the source of the creativity? If the AI has its creativity to apply to what is inputted, does any application of that creativity fit the art description? Artists’ inner feelings and emotions may be the voice of their spirit, reflecting the happenings in their life, and are expressed using art.

Art does more than entertain people; it reflects the reality of society like a mirror. Emotions and feelings can be seen through art. Engaging with a good work of art can connect you to your senses, body, and mind. Because it is such a profound experience on a personal level, art can help us understand who we are and enhance life through self-expression.

The positioning of people, objects, and colors reflects the artist’s personality and spirit we have believed. For example, you may feel the artist's soul when an artwork has a hidden or apparent meaning. The goal for the author would be for you to feel what they feel or think you should feel.

Why would different people perceive art differently? One answer has to do not with art creation but with the perception of what is created. If the answer is that art is in the perception of what is made, then it changes from viewer to viewer, and AI is perhaps a 3rd party to the process.

Perception is conditioned by many factors, including political, social, cultural, gender, racial, and even the life story of the viewer. For all an artist intends to present, the object for the viewer is the art, not the artist.

Does Art Reflect it's own Spirit: Is the Artist's Spirit changed by becoming Art?

Artists’ inner feelings and emotions can be the voice of their spirit wanting to be heard. Feelings turn into powerful emotions that have their say and reflect the happenings in their life. Art becomes the tool for the spirit expressed using art.

Art may be presented to entertain or influence others; in those cases, it may draw more from the art’s goal than the artist’s feelings.

The totality of society and culture can be represented in art, becoming a form of collective expression.

The positioning of people, objects, and colors reflects the artists' personalities and spirits. When an artwork has a hidden or obvious meaning, you may feel the artist’s soul. The goal for the author would be for you to feel what they feel or think you should feel.
Joseph Heinrich Beuys, a German artist and art theorist who died in 1986, believed in the "extended definition of art" in which everybody was an artist.

He once said, "every sphere of human activity, even peeling a potato, can be a work of art as long as it is a conscious act,"

For some, art depends on its purpose. I can be a means to truth or knowledge, the acquisition of truth. Art has even been called the avenue to the highest knowledge available to humans and a kind of knowledge impossible to attain by any other means.

Why would different people perceive art differently? One answer has to do not with art creation but with the perception of what is created.

Perception is conditioned by many factors, including political, social, cultural, gender, racial, and even the life story of the viewer. For all an artist intends to present, the object for the viewer is the art, not the artist.

“Beauty is in the eye of the beholder.”

Art will impact our life journey we experience along the path. The influences change as we change. The forms of art that appeal to us change. We may at some point find art painted on canvas profound and then find we are influenced more by nature surrounding us. Those are influences of choice, but what society deems art impacts us all as well.

The artist presents testimony by revealing more than we see

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Much has been said about art presenting a message transcending the content. What causes the items portrayed to have a message in addition to what is seen? Where did that message reside?

Perhaps a unique and previously inexperienced view of colors, shapes, and textures brings out memories or suggests them? Maybe it is the intensity of the color or the place of the object that we view that brings a previously unthought message to us?

Could a painting have a spirit of its own, and if so, is that spirit the poetry of the image that speaks to us?

Did the painting, or work of art, exist before it was found, and has it only been revealed? If images and art are displayed, then where and who is the original talent that the painter only uncovered.

Is art the artist’s testimony, or is the artist only the messenger?

Quotes to Ponder

“Painting is poetry that is seen rather than felt, and poetry is a painting that is felt rather than seen.”  ― Leonardo da Vinci.  

Color fills the space, layers showing light, darkness, movement, peace, and beauty. Purple represents dignity, grandeur, mystery, independence, and especially magic.

“Art washes away from the soul the dust of everyday life.”  ― Pablo Picasso.

"He said it wasn’t our decision if “Art was art,” adding that, "We don't inform art, that art informs us.” - Leonardo da Vinci

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Does Metaphorical Art Exist?

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The contrast of white and black (light and darkness, day and night) has a long tradition of metaphorical usage. Day, light, and sound are often linked together in opposition to night, dark, and evil.

Black is the absence of light. Unlike white and other hues, pure black can exist in nature without any light. Some consider white to be color because white light comprises all the visible light spectrum hues. But technically, black and white are not colors; they’re shades.

If we can think of something, it exists in our thoughts, but if we can capture the black and white in a picture, then it may only represent our thoughts?

Removing the natural color of the flower and replacing it with black and white suggests that it is intended to be taken as a metaphor, something used symbolically to represent something else, offering a comparison or resemblance.

In this picture, it is clear that the image's subject is a flower, but the concept of the flower becomes imaginary, spiritual, or otherworldly, which may be the intent. For some, this might suggest that art informs because it is only revealed,d and if that is the case, then this picture of the flower is art showing itself.

A metaphor in the arts is a visual image meant to be understood by the viewer as a symbol for something else.

Rather than signifying death and mourning, a black rose breaks this more common assumption for black. Its radical difference from the red rose implies a more positive meaning of new beginnings, which, along with indicating significant changes, are common meanings for black roses.


How does Surrealism Liberate Thought?

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René Magritte’s “The Lovers” (1928) is a harrowing depiction of isolated love as the pair are kept apart by a mere shroud of fabric, preventing a fully loving embrace. Or could it have been a look into the future world of pandemic isolation?

What is the real purpose and object of art, literature, and thought? The obvious answer would be that it is communication, but the question becomes complicated when considering what communication is? Is it the message the artist intended to ask, or is it the scope of how the viewer of the art finds the answer?

Surrealism’s goal was to liberate thought, language, art, and human experience from the oppressive boundaries of rationalism. The consequence of the approach on the artists and writers was the belief that their work was revolutionary or philosophical. Neither the questions nor the answers their work presented mattered as long as the viewer was liberated to inject any variety of options for both.  

Art is About Connections - Real or Implied

Growing up, I did not think I was a good artist, but even so, I took an art class in the 9th grade.  Many in the class were talented, and I wondered if I had made a mistake. Mr. Lampson, the teacher, was passionate about art, and early in the school year, he mentioned a phrase that just drove him crazy. 

Even though this class and teacher did not set me on the path to greatness in art, it did get me thinking, and over the years, many things I learned told me that Mr. Lampson was right. Art does have its role and purpose, but the question of whether art reflects the artist’s feelings or if art created those feelings is still unclear. Maybe it is both?

Oscar Wilde, in his 1889 essay, "The Decay of Lying," said: “Life imitates Art, more than Art imitates Life, and what is found in life and nature is not what is there, but is that which artists taught people to find there, through art.”

Do we see what is there, or what an artist taught us to see? It has been found that people do visit what they are conditioned to see.  When people are hypnotized and asked about what they saw when they walked through a room, they have very different answers than when not hypnotized. People under hypnosis can remember the number of tiles on the ceiling or even the faces on the magazines on the tables, and they can’t remember those things.  Their conscious mind was not interested in them.

Mr. Lampson also showed us how a lump of clay, spinning on a pottery wheel, grasped by an artist's hands, changed into what he imagined the clay to be and said that the clay itself informed the artist through the feelings it brought. He said that the bowls and vases produced were different when finished than the first intended and that the clay could talk to us. He attempted to teach us how to listen.

Writers and artists reveal much about themselves in their work but also find a great deal waiting to be expressed.

Can the painting of a flower ever surpass the original in beauty and impact?

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Did Shakespeare say that The Object of Art is to give Life a Shape but which is greater, the art or the artist’s shape? Perhaps the artist adds to the original with emphasis felt.

Pink flowers represent grace and elegance and are captured in paintings to communicate feelings.

Does the painting of a flower ever equal or surpass the original is not the question but instead, does the image add to what we had before?

Pottery Art brings the spirit of the earth to art

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Clay is modeled, dried, and fired into a vessel or decorative object, usually with a glaze or finish. Clay is a natural product dug from the earth.

The potter’s spirit and the earth come together to inform us of beauty.

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PS: Note to those that love Art. See the review of “Art Before Breakfast” by Danny Gregory Click Here.

Quote by Danny Gregory

“It’s ironic that people speak of artists as dreamers. I think they are the most grounded people around. Conscious and present. As an artist, you really see life, connect with its beauty, and create something that shares those observations with others. You notice things.”

Also see review of “What Is Art” by Leo Tolstoy, click here

If it is art or graffiti, may only be determined in where it is put.

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Does our perception of art communicate reality or just what we think the truth is? Are our emotions telling us what we see, or are they being told what to feel by what we see?

We express ourselves with the tools we have, and words, feelings, and eyes serve us well in that regard, but do our emotions and feelings convey accurate perceptions.

Art can be in various forms, shapes, colors, and textures, but the meaning will differ depending on what the viewer knows. Can the importance of art be the same for two people?

If the meaning isn’t clear or weak, the images may lack the needed complexity. Graffiti qualifies as art, but some disagree, and some feel it is only a cynical attempt at art, saying, “If art were a positive agent of change, the graffiti, being everywhere, would have made a better society for all. Of us.”

Isn’t the question really what is better, not what is art? Graffiti, a form of visual communication, usually illegal, involves an individual or group's unauthorized marking of public space.