Moby-Dick: by Herman Melville, A Review

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Moby-Dick, by Herman Melville, was rated by “The Guardian” as #17 in the top 100 best novels ever written. Nathaniel Philbrick’s “Why Read Moby-Dick” claims that he read the book more than a dozen times, adding that he thinks this is the most outstanding American Novel ever written. It is too bad Melville didn’t get this feedback during his lifetime. Nathaniel Hawthorne and several well-known writers that day told Melville that they also saw the book as a masterpiece. Still, even with that, it didn’t even outsell Melville’s earlier books. 

The story begins, “Call me Ishmael. Some years ago-never mind how long precisely having little or no money in my purse and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world.”

Ishmael is the narrator, and Captain Ahab enters the Pequod, ready to sail. It takes 135 chapters to tell the story of his search to revenge himself on the great white whale that had bitten off his leg. He plots and plans and chases the “hooded phantom” across the oceans, and he feels as though he is fighting the God that becomes part of the symbolism of the whale. The story becomes an investigation into the meaning of life. 

As the Pequod and crew chase the great white whale, they meet other ships advising where the whale was last seen. They do kill and process several whales. Sperm oil is cooled to congeals and then squeezed back into the liquid state; blubber is boiled in pots on the deck, and warm oil is decanted into casks and stowed in the ship. Whale meat is eaten, and we learn more than we ever expected about whales and even squid, which is a crucial food for whales. The book is rich in technical information about whales which in a day when so much of the world needed and depended on whale oil was necessary.

Much has been written about the philosophy and meaning conveyed by this story. Ahab believes that Moby Dick is evil because he bit his leg off and that he needs to learn why it happened. He assumes he will know a great truth. This may lend to the idea that symbolically, the “whiteness” of the whale meant something, but Melville denied it.

The Epilogue offers us a quote from Job 1:14-19, “And I only am escaped alone to tell thee…..” Job, it seemed, had lost everything but on the Pequod. Who was that last survivor who lost everything?  Does the Epilogue seem to tell us that it is Ishmael? Whether Ishmael was just an imaginative character or a real one isn't clear, but he was the story’s narrator. He tells us that "It so chanced…that I was he whom the Fates ordained to take the place of Ahab's bowsman."

It seems that both Job and Ishmael survived their ordeal because, as we’re told, they escaped so someone would be left to tell us the story.

 

 

Quotes from Moby-Dick

“Better to sleep with a sober cannibal than a drunk Christian.“ “It is not down on any map; true places never are.” 

“As for me, I am tormented with an everlasting itch for things remote. I love to sail forbidden seas and land on barbarous coasts.”   

“Ignorance is the parent of fear.” 

“Talk not to me of blasphemy, man; I'd strike the sun if it insulted me.” 

“for there is no folly of the beast of the earth which is not infinitely outdone by the madness of men.”

An Unquiet Mind: A Memoir of Moods and Madness by Kay Redfield Jamison

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Kay Redfield Jamison wrote An Unquiet Mind: A Memoir of Moods and Madness. A Professor of Psychiatry at the Johns Hopkins University School of Medicine and Honorary Professor of English at the University of St Andrew, whose work is centered on bipolar disorder, something she has had since she was a child.

Jamison says that the cultural and medical shift from calling the problem "manic depression" into the term "bipolar disorder" has not clarified anything or helped. She was criticized for saying about the condition of bipolar that: "We have known for hundreds and hundreds and hundreds of years that it is genetic.” She sees the illness as the effect of genetic disorders. The book presents her view and is her memoir that has shaped her life and ideas.

In the book, Jamison says, “Others imply that they know what it is like to be depressed because they have gone through a divorce, lost a job, or broken up with someone. But these experiences carry with them feelings. Depression, instead, is flat, hollow, and unendurable. It is also tiresome. People cannot abide being around you when you are depressed. They might think that they ought to, and they might even try. Still, you know, and they know that you are tedious beyond belief: you are irritable, paranoid, humorless, lifeless, critical, and demanding, and no reassurance is ever enough. You're frightened and frightening, and you're "not at all like yourself, but will be soon, but you know you won't.”

"People go mad in idiosyncratic ways," one chapter begins. This may seem obvious, but Jamison feels it is a clinical fact, and she shows it by writing about her childhood, family, work, and relationships.  

The book is considered one of the most fantastic about manic depression or bipolar disorder.

Important Quotes

“No amount of love can cure madness or unblacken one's dark moods. Love can help; it can make the pain more tolerable, but, always, one is accountable to medication that may or may not always work and may or may not be bearable.”

“We all build internal sea walls to keep at bay the sadnesses of life and the often overwhelming forces within our minds. In whatever way we do this--through love, work, family, faith, friends, denial, alcohol, drugs, or medication, we build these walls, stone by stone, over a lifetime. ” 

“Which of my feelings are real? Which of me's is me? The wild, impulsive, chaotic, energetic, and crazy one? Or the shy, withdrawn, desperate, suicidal, doomed, and tired one? Probably a bit of bot,h hopefully much that is neither.” 

Ashely Bell by Dean Koontz

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Bibi Blair is a talented 22-year-old writer who lives near the ocean in Newport Beach, California. One day while sitting at her computer, one side of her body starts to tingle, and she realizes something is wrong. Doctors run tests and determine that she has rare brain cancer. When the doctor tells her about cancer, her reply is just to say, “we’ll see.” Then the next day, cancer goes away, to everyone’s amazement.

At this point, Bibi’s parents insist that she meet with a woman called Calida Butterfly, a “diviner” who supposedly can uncover “hidden knowledge by supernatural means.” It turns out the method she uses is Scrabblemancy. It is just what it sounds like, an assortment of scrabble-type letters on tiles that provides the answer to questions by spelling out words. One of the words is Ashley Bell, and she is told she will live because she must find and save Ashley from a terrible fate.

The book shows how our lives are shaped by our memories, especially our childhood influences, weaving this theme into a plot that, even while being unbelievable on the one hand, holds our attention and suspense to the end.

See More about Dean Koontz in Favorite Section

If I Ran the Zoo, by Dr Seuss

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Dr. Seuss Enterprises, which preserves the author's legacy, announced this week six books – "And to Think That I Saw It on Mulberry Street," "If I Ran the Zoo," "McElligot's Pool," "On Beyond Zebra!," "Scrambled Eggs Super!," and "The Cat's Quizzer" – would no longer be printed. Mar 5, 2021

Why did this happen? The Republicans seemed convinced that the Democrats and President Biden were to blame. “Yes!” So what did the company that owns the rights to these books and Dr. Seuss’s family, who owns that company, find out about this book and decide to stop printing it? Read the review and re-read the book; maybe the answer is clear.

If Gerald McGrew ran the Zoo, he'd let all the animals go and fill it with more unusual beasts--a ten-footed lion, an Elephant-Cat, a Mulligatawny, a Tufted Mazurka, and many more.

It’s a pretty good zoo.

Said young Gerald McGrew

And the fellow that runs it

Seems proud of it too

The first documented appearance of the word nerd is as the name of a creature in Dr. Seuss's book If I Ran the Zoo (1950), in which the narrator Gerald McGrew claims that he would collectMerkleye, a Nerd, and a Seersucker too" for his imaginary zoo. The slang meaning of the term dates to 1951

If I Ran the Zoo was banned for the line "all wear their eyes at a slant,” which refers to the helpers, accompanied by an illustration of Asian stereotypes. Dr. Seuss’s books were positive and inspiring, but some earlier books had disturbing images of hurtful, racially stereotypical drawings. The good news is that we see an evolution in cartoons and books. His later works, such as The Sneetches or Horton Hears a Who!, emphasize inclusion and acceptance. Disney’s old movies and comics had racial implications, and even Mickey Mouse had some racial threads in his creation. Disney covered those events by adding disclaimers and referring to the problem as “outdated cultural depictions.”

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The Cat in the Hat by Dr. Suess

The Cat in the Hat, by Dr. Seuss (Theodor Geisel), was first published in 1957. It is a story about a tall human-like cat who dresses in a red & white striped hat with a red bow tie.  

With his companions, "Thing One & Thing Two,” they try to entertain some neighbors and wind up wrecking the house.  Finally, the Cat uses a unique tool to clean everything up. He then says goodbyes and disappears just before the children's mother walks in.

The book offers lessons that need to be learned. For example, The Cat in the Hat is about stranger danger. Although it may seem fun to let a big cat into your house, maybe you should think twice before you do. That's just common sense for all ages.

This is the book that made Dr. Seuss famous. It kicked off an emphasis on beginning readers’ books. The focus on imagination for the characters and the ease of reading resulted in these books being read repeatedly. OK, the truth is they are often read every night.  Many kids learned to read from them.

Characters: The Cat in the Hat,

Thing One, Thing Two, Sally, Sally's Brother, Fish & Mother


The moral of this story might be “Be careful inviting neighbors over! or Beware of who you let in the house.

#Children’s Literature

Down and Out in Paris and London by George Orwell

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(See the Taking others for Granted” article in the Positive Thoughts section for more on what the Meaning of this Book is?)

It is 1933, and it will be 10 + years before Orwell publishes Animal Farm and 1984, both of which will warn of the dangers of totalitarianism and promote his beliefs in a fairer society.  In his book, Down and Out in London & Paris, he writes about poverty and how he survived.

Orwell was a tutor in London, but he went to Paris. He has no job when he arrives, and he cuts back on food and later pawns his good clothes to get by for a few days. He finds an old friend Boris, a fat Russian, but he is also out of work.  They struggle for weeks, and eventually, the two of them finally do find work-Boris as a waiter and Orwell as a dishwasher. Find work- Boris The dishwashing job is 14 hours a day of cleaning in the sweltering heat of kitchens on the bottom floors of the hotel basements.  

Orwell's Paris experience with poverty was eating at restaurants, living in rented rooms, and working in almost prison-like circumstances; no mention is made of goals or desires.  He can see that there are few opportunities to rise above where one starts in life. He describes drinking on a Saturday night as the "one thing that made life worth living.” At one point, a murder happens right outside where he is sleeping, and he tells us that within three minutes, he has gone back to sleep, not wanting to waste time over it.

Boris talks Orwell into going to another hotel to work because of the promotion to maître d’ he can get. Orwell follows him, but the new kitchen, where he is still a dishwasher, is even more hot and cramped than before. He now works 18 to 20 hours a day and makes less. Finally, he is so demoralized that he returns to London, which comprises the book's second part.

Orwell describes London’s poor as mobile, unable to rent or stay in a job long, but forced to wander from shelter to shelter across London. When he arrives back in London, his plans to be a babysitter for a wealthy family fall through. He has no money and must pawn his best suit again.  He finds that he must join others wandering from shelter to shelter and living off food that is barely fit for human consumption, living as a beggar and a tramp. The hunger and filth are with him constantly, and he feels the challenge of being considered disagreeable to others.

When the book ends, Orwell can get the job he had initially planned.  His closing remarks are that poverty is a condition best to be avoided.

This book will add to how you see George Orwell's books Animal Farm and 1984.  This autobiography precedes those books and suggests how his viewpoint on society may have evolved. 

Quotes by George Orwell

“It is curious how people take it for granted that they have a right to preach at you and pray over you as soon as your income falls below a certain level.” 

“The stars are a free show; it doesn't cost anything to use your eyes.”

 “Within certain limits, it is true that the less money you have, the less you worry.” 

“It is fatal to look hungry. It makes people want to kick you.” 

“Dirt is a great respecter of persons; it lets you alone when you are well dressed, but as soon as your collar is gone, it flies towards you from all directions.” 

The Tipping Point: How Little Things Can Make a Big Difference by Malcolm Gladwell

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The Tipping Point: How Little Things Can Make a Big Difference, by Malcolm Gladwell: The subtitle is really what the book is about.

Most events start with little things, and then, a step at a time, a point is reached when an enormous consequence follows.  All the little things over time caused the tipping end, and the change was significant and even a surprise. When the change comes, it is referred to as the moment of critical mass, the threshold, and the boiling point.

The question is how to identify when that point will be reached? Gladwell says that the three components of the Tipping Point, or three agents of change, are “The Law of the Few, The Stickiness Factor, and The Power of Context.”

"The Law of the Few" is the 80/20 principle where 20% of the people involved in a project will bring about 80% of the results. Gladwell says that the key is in understanding the skill sets of the 20% and if enough individuals with the needed skill set are working on the project.

The Stickiness Factor” has to do with the project’s message.  What is it about a message that will make it memorable? Sesame Street and Blue’s Clues use repetition in their characters, resulting in an enhancement of retention. 

The Power of Context,” Gladwell says, has to do with influences on human behavior and the changes as one moves from birth through adulthood. Age, genetics, thoughts, and feelings reveal attitudes and values.

The Tipping Point looks for those times when an idea, trend, or social behavior spreads like wildfire. It is the boiling point when ideas take off. Gladwell takes this phenomenon and shows how he thinks it changes people’s feelings about change.

Is Covid 19 and the Pandemic a Tipping Point? Time will tell, but some examples are already evident. Small businesses are predicted to see at least a 20% reduction as many go broke. In the restraint category, some have expected that 85% of the independent restaurants will go broke, and some but not all of that business may move to the chains.

In many trade categories, it seems clear that the survivors will be the financially strong businesses; some are just anticipating their competitors to fold and to be able to assume their market share. This may push prices up. Debt for all business sectors will be dramatically increased, and the previously expected expansion of automation may be severely slowed down.

Malcolm Gladwell of COVID-19: If I had to identify the best thing that could come out of this, it would be a resurgence in the profile and importance of the public health community.*

see article*

Malcolm Gladwell: The lesson of the COVID-19 pandemic THE WORLD AFTER COVID-19 - with Malcolm Gladwell April 9, 2020. Click the link to see the original article

The Tipping Points Quotes

“There is a simple way to package information that can make it irresistible under the right circumstances. All you have to do is find it.”

 “Look at the world around you. It may seem like an immovable, implacable place. It is not; it can be tipped with the slightest push — in just the right place .” 

“The idea that epidemics can rise or fall in one dramatic moment — is the most important because it is the principle that… permits the greatest insight into why modern change happens the way it does.” 

 “When it comes to epidemics, though, this dis proportionality becomes even more extreme; a tiny percentage of people do the majority of the work.” 

“To create one contagious movement, you often have to create many small movements first.”

The Picture of Dorian Gray, by Oscar Wilde

https://www.youtube.com/watch?v=fuZ5zchKCS8 See my youtube video on this also.

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Dorian Gray is a handsome, selfish young man who Basil Hallward is painting. While he sits for the painting, he is introduced and has ample time to listen to Lord Henry Wotton, who expounds his hedonist views of life, admiring Gray’s beauty.

Hallward, a very moral man, is excited to be painting the handsome young man who has become the inspiration his art needed, and the result is that his painting becomes his life’s masterpiece. Lord Henry seeks to influence young Gray and take over Hallward’s friendship.

Gray is a willing student of Lord Henry's "new" hedonism, and the result is that he begins to indulge in every pleasure and virtually every 'sin' he can conceive of.

With the finished painting at his home, Gray sees the striking beauty of the image, and as it influences him to covet it, he begins to fear that it will fade and fears and even expects that his sinful lusts will lead to the erosion of his physical beauty.

This leads Dorian to desire and express that he would sell his soul to ensure that the picture, rather than he, would age and fade as he sins. The wish is granted, and Dorian pursues a life of amoral experiences, including destroying many he meets as he satisfies his lusts.

He stays young and beautiful but his portrait ages and records every sinful act becoming more disgusting and uglier as they are committed. After years of watching the painting reflect the horror of his life’s activities, he hates it.

The painting ultimately leads to Gray’s death, but the story leads to many questions and assumptions. One more obvious question is whether it is accurate to connect being beautiful to mean that one is good and if being ugly implies that one is evil.

The book presented a view of sin’s impact very effectively, using the portrait as the symbol of degradation.